《伟大的牵线人》有声书 - 免费在线收听

A study; to the left a balcony, on right a door; in the middle a table strewn with papers and books, and a lighted lamp upon it. Towards the right a sofa. Night. SCENE I ERNEST. [Seated at table and preparing to write.] Nothing—impossible! It is striving with the impossible. The idea is there; my head is fevered with it; I feel it. At moments an inward light illuminates it, and I see it. I see it in its floating form, vaguely outlined, and suddenly a secret voice seems to animate it, and I hear sounds of sorrow, sonorous sighs, shouts of sardonic laughter ... a whole world of passions alive and struggling.... They burst forth from me, extend around me, and the air is full of them. Then, then I say to myself: ''Tis now the moment.' I take up my pen, stare into space, listen attentively, restraining my very heart-beats, and bend over the paper.... Ah, but the irony of impotency! The outlines become blurred, the vision fades, the cries and sighs faint away ... and nothingness, nothingness encircles me.... The monotony of empty space, of inert thought, of dreamy lassitude! and more than all the monotony of an idle pen and lifeless paper that lacks the life of thought! Ah! How varied are the shapes of nothingness, and how, in its dark and silent way, it mocks creatures of my stamp! So many, many forms! Canvas without colour, bits of marble without shape, confused noise of chaotic vibrations. But nothing more irritating, more insolent, meaner than this insolent pen of mine [throws it away], nothing worse than this white sheet of paper. Oh, if I cannot fill it, at least I may destroy it—vile accomplice of my ambition and my eternal humiliation. Thus, thus ... smaller and still smaller. [Tears up paper. Pauses.] And then! How lucky that nobody saw me! For in truth such fury is absurd and unjust. No, I will not yield. I will think and think, until either I have conquered or am crushed. No, I will not give up. Let me see, let me see ... if in that way—— SCENE II Ernest. Don Julian on the right, in evening-dress, with overcoat upon his arm. D. JULIAN. [At the door, without entering.] I say, Ernest! ERNEST. Don Julian! D. JULIAN. Still working? Do I disturb you? ERNEST. [Rising.] Disturb me! What a question, Don Julian! Come in, come in. And Teodora? [Don Julian enters.] D. JULIAN. We have just come from the Opera. She has gone upstairs with my brother, to see something or other that Mercedes has bought, and I was on my way to my room when I saw your light, so I stopped to say good-night. ERNEST. Was there a good house? D. JULIAN. As usual. All our friends inquired after you. They wondered you were not there too. ERNEST. That was kind of them. D. JULIAN. Not more than you deserve. And how have you improved the shining hours of solitude and inspiration! ERNEST. Solitude, yes; inspiration, no. It shuns me though I call on it never so humbly and fondly. D. JULIAN. It has failed at the rendezvous? ERNEST. And not for the first time, either. But if I have done nothing else, at least I have made a happy discovery. D. JULIAN. What? ERNEST. That I am a poor devil. D. JULIAN. The deuce! That's a famous discovery. ERNEST. Nothing less. D. JULIAN. But why are you so out of sorts with yourself? Is the play you talked